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(Page 3)
In 1963, after 47 years at "The Saturday Evening Post,"
Rockwell parted ways with the magazine. He went to work for "Look"
magazine almost immediately. There he was
able to express his deepest concerns and interests, such as civil
rights and the war on poverty.
Some of Rockwell’s most powerful creations came out of his years with "Look."
One such piece was inspired by the unjust murders of three civil rights workers
near Philadelphia, Mississippi. The painting, “Southern Justice,” was done in
1965 and depicts the horror endured by three young men, two white and one black,
who had come to Mississippi in the fight for equality. One man is seen lying
dead in the foreground; the next is standing in the glow of the attacker’s torch
while defending the third man, who appears near death. Another, entitled “The
Problem We All Live With” depicts a young black girl in a white dress being escorted
to school by U.S. Marshals. Of his gripping and powerful illustrations for "Look,"
Rockwell
wrote: “For 47 years, I portrayed the best of all possible worlds – grandfathers,
puppy dogs – things like that. That kind of stuff is dead now, and I think it’s
about time.”
Bernard Dannenberg Galleries of New York City organized a retrospective show
of Rockwell’s work in 1971. The artist went on to establish a trust to protect
his personal collection of paintings in 1972. He placed his works in the Old
Corner House Stockbridge Historical Society, which later became the Norman Rockwell
Museum in a dedication ceremony on February 3, 1994, the 100th anniversary of
Rockwell’s birth.
July 1976 brought
Rockwell’s
last
published
work,
the
cover
of “American
Artist.” He
painted himself draping a “Happy Birthday” banner on the Liberty Bell in observance
of the Fourth of July and the 200th anniversary of the Declaration of Independence.
In 1977 President Gerald R. Ford presented Rockwell with the country's highest
civilian honor, the Presidential Medal of Freedom . The
award was given for Rockwell’s “vivid and affectionate portraits of our country.”
On November 8, 1978 Norman Rockwell died in his Stockbridge home at the age of
84, leaving an unfinished painting on his easel. His now nostalgic paintings
and illustrations continue to live on in American history, depicting decades
of pleasantry and pain. A second edition of his autobiography was published in
1988, with new material from Tom Rockwell, covering the final 20 years
of his father’s life. Norman Rockwell's ability to relate to the values and
events
of
an
evolving society made him a hero, a visionary and a friend, not only to Americans
but also
to individuals all over the globe. In his own words, "Without thinking too much
about it in specific terms, I was showing the America I knew and observed to
others who might not have noticed."
Page 3:3
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